Originally recorded in 1981, but not released until 1984, the 60 minute long e2-e4 is perhaps the seed that spawned a electronic revolution in music. Namely, Detroit Techno. Who knows how true that can be, since electronic music seems to have simultaneously emerged both in Europe and state side without knowledge of the other. But certainly it was a seminal work that is well credited as a major influence on early techno pioneers like Larry Levan, Derrick May and Carl Craig to more current notables like King Britt and LCD Soundsystem.

Recorded live in one take with no overdubs. The first half of the album consists mostly of a subtle rhythmic sequencer pattern along with a rhythm machine. As the piece unfolds, so do the variations of this sequence. At about the half-hour mark, Manuel brings in a stellar electric guitar lead while alternating between his electronics and sequencers providing further variations on the repetitive chord structure heard throughout the piece. Towards the end, the guitar fades out, the rhythm pattern echoes into silence and finally this long piece comes to its end.

I get waves of calm enfolded familiarity from a place I had forgot I had been before, and it feels like it was always meant to be, just as it was already before, waiting to unfold, full circle. Amazed.

Throwback: Manuel Gottsching – E2-E4 (Side A) (don lowed)

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Throwback: Manuel Gottsching – E2-E4 (Side B) (don lowed)

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